Gankutsuou Review
By Tama-Neko
Gankutsuou Review
Gonzo
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Plot Synopsis
Although based on Alexander Dumas' famous classic of revenge, Gankutsuou is a new retelling of the series that sets it in the distant future, and spins its yarn through the eyes of a young and idealistic Albert. Albert, a member of the Parisian upper class, has already gotten jaded with life and in an attempt to spice things up, goes on a trip with his best friend, Franz, to a carnival on Luna. There he encounters the fabulously wealthy recluse, the Count of Monto Cristo, who, when Albert is kidnapped and held for ransom, ponies up the money to save the young man's life. Believing only the best in his mysterious benefactor, Albert invites the Count into his circle of friends and life in Paris. Little does he realize that the Count has only one goal: revenge upon the three men who wronged him, casting him in prison and stealing him away the love of his life. And revenge is a dish best served cold...
Story & Characters
<i>Gankutsuou</i> is loosely based off of the famous novel,
"The Count of Monte Cristo" by Alexandar Dumas. Although I am only
passingly familiar with the original work, <i>Gankutsuou</i> begins
partially into the story, and the focus of the story is young Albert du Morcef
instead of the Count himself. Instead of viewing the story through the jaded
lens of a man betrayed, we instead see through the lens of a naiive (and brash)
boy in love with love, although this does not prevent the story from taking
numerous dark turns. Themes of friendship, love, betrayal and revenge are
interwoven throughout the plot. The story is tightly plotted, with no room for
filler material - after all, starting from the middle of the novel,
<i>Gankutsuou</i> relies partially on flashbacks and searches into
the past as the history behind the rich Count is slowly revealed.
Unlike the original story, which takes place in 19th century France,
<i>Gankutsuou</i> is set some 3000 years into the future, and thus
also contains numerous science-fiction and fantasy elements - Luna, home of the
carnivale, is the new Rome, and instead of Corsicans there are space aliens.
Plus, it gives Gonzo an excuse to have mecha. Still, the setting manages to
integrate a lot of the trappings of 19th century French nobility into this
strange landscape.
The story is complex and twisted, and you need to pay attention to what people
are saying because somewhere along the way, someone else will refer back to past
events. Plus, it's dark and has a few hints of gothic to it - so it's not for
everyone. However, if you enjoy drama and character development, the story has
it all.
- Rating
- 9 (very good)
Art
The art for this show is most unique. I say that in a good way - no series
before has ever looked like this, and it sets the scenery apart from other
shows. Unlike typical cel-style shading, or even smoother 3d-style shading a few
shows are picking up, <i>Gankutsuou</i> is bedecked (to the teeth!)
in frilly patterns. The patterns don't move the same way character motions are.
At first this is rather disconcerting and quite distracting. However, after a
while you become used to the odd stylings and they're less dramatic.
The color palette for this series is bright, bold, and oversaturated - almost
psychedelic in its use. I've already mentioned the patterns, but even things
like buildings become embossed in the richest of golds and silvers.
The series relies a lot of 3d CG as well. Since this is a sci-fi setting,
luxurious spaceships and giant mecha share the space with expansive opera halls
and horse-drawn carriages. The 2d and 3d isn't very well integrated, but this
generally isn't a problem because there are few scenes where 2d and 3d are
present at the same instance. However, the 3d CG could use some work - it's
overly smooth, although perhaps this was intentional.
The quality of the animation is mostly uniform, although production quality
drops off slightly during some of the middle episodes. All those patterns must
have gotten expensive.
- Rating
- 8 (good)
Sound
I would really, really want to see this series dubbed in French, even though I
don't know a lick of the language. It's strange to hear the term "Monte
Cristo Hakushaku" for "le comte du Monte Cristo." Despite the
language barriers, the Japanese voice actors do a good job filling their roles,
although there aren't really any superstar performances that I can laud. The
roles are solid, but not exceptional.
Music-wise, Gonzo took an interesting route in enlisting Jean-Jaques Burnel,
previously of The Stranglers, to pen the opening and ending themes, resulting in
a sweet piano love ballad for the opening (that basically tells the story that
the series skipped in order to begin with Albert's story) and a rockish song for
the ending that describes the Count. The songs within the show itself are a
mixture of techno (fitting in again with the psychadelic leanings of the
series), piano ballads, and dark orchestral pieces for dramatic moments. This
makes the OST a bit jarring as it switches back and forth between the styles - I
like individual pieces, but as a whole I'm not sure I'd buy the disc.
- Rating
- 7 (above average)
Presentation
<i>Gankutsuou</i> is whirlwind of a series. A solid basis on a
classic story of love, betrayal and revenge, combined with an imaginative new
setting in space and a different sense of art, this series tries to appeal to
all the senses a tv show can reach. It's not afraid to be different, and in fact
seems to revel in it. Sure it's outlandish - and the patterns alone have turned
off many a potential viewer. However, if you're willing to stick with the little
oddities the series evidences, you're in for a treat. This is not your typical
anime series - despite several mecha fighting scenes, the focus is not on action
but on the story and the people and the lies they weave amongst themselves and
within themselves. However, rewatchability is not that high - due to its tightly
interwoven plot, it tends to leave you breathless as the events unfold at
breakneck speed. I'd also recommmend not starting the series until you have the
entire set of episodes on hand - most episodes end on some sort of cliffhanger,
which are never pleasant to squirm through.
If nothing else, this show has motivated me to go find a copy of The Count and
read the original.
- Rating
- 9 (very good)
Final Verdict
8.50 (very good)
Reviewed by Tama-Neko, 3y 15wk ago
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A well written piece giving good detail into the series. Thanks for taking the time to write it.
this review is very well-written, and it sounds like a good anime to watch.
woah, you did a great review
it
is well written and clear
you
made me feel intrigued as well
good
job...
good, but can you change <i> and </i> to and
interesting review..
Good review!
Just I would say that the OST is lovely.
Techno, classic, rock arrangements complement each other in a very elegant way, they all have their own place and flood very natural from one to another as happens with the plot.
19th French nobility making space travels? Just the same with the sound, it's a great done mixture.
Good review of a really good series
I would complain about the Sound Rating though. For someone like me, who loves classical music in modern productions, one third of the OST is a masterpiece. Another one third is simply brilliant(but not as good as the first one), and the rest is well fitted to the series and various situations in the show.
Of course, I'm not saying that Bach and Rachmaninov would be the best for Puni Puni Poemi and every other series.
I just think that a futuristic punk-opera taking place on the stage of a retro-modernistic city of Paris just needs a good mix of music styles.
And it's just what the OST contains. Industrial/techno/metal/trash/whatsoever I can't name + Classical = the theme of Gankutsuou.
So, the music fits the story well, and that's the most important thing. The quality is also very good, and that's the second most important thing.
Anyway, thanks for the review!
PS. You should really replace < i > with [ i ].