Story & Characters
It is sad, but how often do we find ourselves being cheated by an anime? You know, the anime with a plot so banal that
you can predict every episode before watching it, heck, even guess the ending before finishing up the second episode. It
is the anime so thoughtless that it robs you of a little intelligence each time you see it, as blank and unsatisfying as
they come. A waste of time, twenty four minutes of your life you're never going to get back. For a quarter of the
first episode, FLCL (Fooly Cooly, Furi Kuri?) will make you — at least, it did me — feel that way. In fact, you may feel that way until you watch the short series another four, five,
six times. But upon watching the series again (I recommended another two times), however, you may begin to see one
exciting, eccentric adventure.
So, Naota lives in a small and dull city where nothing ever happens — like, ever. You may recognize Naota's character, look and environment from Renton Thurston of Eureka 7,
which is one of the first things I noticed, that they both live lives boring as dirt. At first. But as Naota narrates
the drab happenings of his hodunk city, strange things being to happen. Rumors of a 'mad wasp/vespa woman'
make their way through Naoto's hometown and, eventually, at his very doorstep. The pink-haired vespa woman woman in
question, Haruko Haruhara, literally flattens Naota's head out of nowhere, her turbulent introduction to our
sullen protagonist. I'm not going to lie, it's extremely weird, seeing this the first time. That is why the
key to watching FLCL at first, for me, was this: don't pay too much attention to details, look at those later. FLCL
moves extremely fast.
So, after she runs over Naota's head, it begins to undergo some means of 'transformation'. A rather
retarded bump springs out of his forehead when no pressure is applied to it, which is why he ends up with a large
band-aid across his crown. Thus, Naota's forehead becomes the catalyst of FLCL's tentatively admitted plot — well, that and the mystery that is Haruko. Anyhow, Haruko begins to
'use' (therein, extracting strange objects out of) Naota's head for her own agenda, going so far as to
say that he as 'the right kind of head'. Haruko turns out to be some variety of alien, somehow connected to
the mysterious factory erected in Naota's boring hometown, a stream iron-shaped venue known as Medical
Mechanica
Naota is initially and rightly suspicious of Haruko and her intentions, but his family (namely his father who has an
instant attraction to Haruko) ignores his paranoia and invites her to stay with them. Solemn Naota remains alert around
Haruko, often criticizing her crude and mysterious behavior, as he is extremely aware of the adults in his life — he
idolizes his older brother, Tasuku, and frowns upon the other adults he knows. Naota lauds Tasuku to the point of
copying his former life: hanging with Tasuku's old girlfriend, Mamimi, carrying around a baseball bat as Tasuku
did, monologue-ing about his brother, etc. But, more to the point, FLCL covers the events of Medical Mechanica,
Naota's character growth and the unknown origins of alien Haruko Haruhara.
While FLCL is surely an eccentric, face-paced, and frankly a rather head-scratching series, it can also be, on occasion,
intelligent, captivating and humorous.
Rating: 9
Art
FLCL's art is, like the other aspects of itself, unpredictable at times. It is, most of the time, simple (but
still visually commanding), but there are sudden uses of manga panels, new animation styles or just random changes in
character — for example, at one point Haruko is in a pink dress, the next she's Elvis. It really adds to the
chaos of the head-turning series, but it also gives it a certain charm. Well, a very strange charm, but for FLCL it
works. Otherwise, the art is very nice and without complication, though especially lovely in the final episode.
The overall reception to the art should be nothing but positive, even if you have no idea what's going on.
South Park parody in episode five.
Rating: 8
Sound
FLCL loves to shake up convention. It is the first anime I have come across that has used five opening themes in the
course of six episodes, all by Japanese band The Pillows.
OP1: One Life
OP2: Instant Music
OP3: Happy Bivouac
OP4: Runners High
OP5: Carnival
ED: Ride on Shooting Star
Also unlike most anime I view, the dub came before the original Japanese — Adult Swim, insomnia, what can I say?
Anyhow, as usual, I began watching skeptically; there are just so few acceptable dubs, it's really pathetic. So I
really was prepared for the worst possible quality I could imagine. However, I was pleasantly surprised to hear that it
really wasn't all that awful. Really, I think that the dub cast is almost as well cast as the original Japanese —
not quite, but a truly deserving second.
The Japanese cast: Mayumi Shintani as Haruko, Jun Mizuki as Naota, Izumi Kisagi as Mamimi and Koichi Okura as Commander
Amarao.
Honestly, I was skeptical of Mayumi as Haruko at first. I had heard her as cute and cunning Tsubasa of Kare Kano prior
to FLCL. After discovering she was Haruko, I was stunned. Now I cannot imagine who else could have pulled of Haruko so
well. Jun Mizuki, though, I was not familiar with before watching FLCL. He, too, gave a stunning performance as Naota,
who portrays few emotions at FLCL's start. And while Izumi Kisagi gave a likewise wonderful performance, Koichi
Okura was undoubtedly my favorite of the series. He endowed the Commander with all the stupid charm he needed to fit
into this series.
The English cast: Kari Wahlgren as Haruko, Barbara Goodson as Naota, Stephanie Sheh as Mamimi and Dave Mallow as
Commander Amarao.
Like the Japanese cast, Kari and Barbara provided nothing but excellence as Haruko and Naota. Frankly, with Naota's
sarcastic character Barbara was better than any male voice I could have seen as Naota. Stephanie gave an admirable
performance, but it lacked a bit for me. Mamimi, in general, did not stick to me as much as the other FLCL characters
which could be why she is not as noticeable. Dave Mallow as Commander Amarao also proved to be my favorite character of
the English-speaking cast, and Kari too.
The point is, in either languages FLCL is worth the listening to.
Rating: 7
Presentation
While it is true that I really do love FLCL, it doesn't warrant the higher score I would love to give it. Even
though sound, animation, characterization and story are all there, it is hard to ignore how long they take to discover.
Still, I recommend FLCL to anyone with the patience to stumble upon something unexpected. Even though it may not be
catch your eye at first, good art takes time to appreciate. It really is worth the time.
It's very difficult to find an anime that is not afraid to be bold, and, let's face it — just a little
insane.
Rating: 7
Final Verdict
7.8333 (good)
Reviewed by xxKurumi, Sep 06, 2008